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Gomez »P ­¶13 Jose Ignacio Cabezon«h¾Ö©ê¤èªk¤Wªº¦h¤¸¥D¸q¡A©IÆ~´­±ó©t¥ß¥D¸q ªº¶H¤ú¶ð¡A¦^¨ì§ó¼e¼sªº¤å¤Æ¯ßµ¸¡A©M¨ä¥¦½×­z»â°ì¶i¦æ¹ï¸Ü¡C¡] Cabezon, 1995: 264¡^³o¤G¦ì¾ÇªÌ¥»¨­³£¬O³Ç¥Xªº»y¨¥¤åÄm¾ÇªÌ¡A Gomez ³Ìªñ¨j¥Xª©±ë¥»»Pº~»y¡mµL¶q¹Ø¸g¡nªº­^Ķ¡A¦Ó Cabezon «hĶ ª`§J¥DªN ¡]1385-1438¡^ ¡m¤jºõ­n®Ñ¡n¡C¹ï©ó¡u¯U¹iªº¡v³¹¥y°Vµþ¡A¥L ­Ì³£«O«ù¤Ï¬Ù§å§PªººA«×¡CGomez »{¬°³¹¥y°Vµþ¦®¦b©ó±a»â§^¤H­«ªð ¸g¨å¤å¥»ªº¤å¤Æ±¡¹Ò¡A­«¬B¸g¨å¤å¥»ªº¤å¤Æ¥\¯à¡AÅý¸g¨å¤å¥»ªº¬ã¨s ¿Ä¤J§^¤H¨ãÅ骺¥Í©R¤¤¡C¡]Gomez, 1995: 195¡^Gomez ªº½×ÂI¡AÅãµM ¬O±µªñ®öº©¥D¸qªº¸àÄÀ¾Ç¡CCabezon ¤]¦P¼Ë¦a«ü³¯¶Ç²Î¤åÄm¾Ç¬ã¨sªº °¢¹i¡A¬y©ó¹L«×±Mªù¡A¦¨¬°èÃÔH¤§¾Ç¡AµLªk»P¨ä¥¦»â°ì¶i¦æ¹ï¸Ü»P¤ñ ¸û¡C¥L©IÀ³ Paul Griffths¡A»{¬°¦ò±Ð¬ã¨s¥²´Â¦V¸ó¬ì»Ú»P¸ó¤å¤Æªº ¬ã¨s»â°ì«e¶i¡C¡]Cabezon, 1995: 234¡^¡@¡@ Gomez »P Cabezon ¤G ¦ì©M¥_¬ü¦a°Ïªº¤j¦h¼Æ¦ò±Ð¾ÇªÌ¤@¼Ë¡A¤F¸Ñ¦ò±Ð¬ã¨s¤èªk»P¶i¸ô¥²µM ´Â¦h¼Ë¤Æªº¤è¦Vµo®i¡A¦ò±Ð¾ÇªÌªº¨¤¦â¤]¥²µMÀH¤§¦h¤¸¤Æ¡CGomez «K ±N¦ò±Ð¬ã¨s¨Ì¨ä¬ã¨s¹ï¶H¤À¬°¥|Ãþ¡G¡]¤@¡^³¹¥y°Vµþ¤§¾Ç¡A¡]¤G¡^ªü ¬s¹F¿i¤§¾Ç¡A¡]¤T¡^±Ð¸q¬ã¨s¡A¡]¥|¡^§P±Ð¦¡ªº¬ã¨s¡C¡]Gomez, 1995: 192-204¡^ ¡@¡@Ãö©ó³¹¥y°Vµþ¦¡ªº¦ò¾Ç¬ã¨s¡AGomez ª½«ü¨ä¤å¦r±R«ôªº¯S©Ê¡C»y ¨¥¾Ç¡]philology¡^¤§¥»¸q§Y·½¦Û¡u·R¡v¡]philia¡^¡u»y¨¥¡v¡] logos ¡^¡C¦¹»y¨¥¤§·R¨Ó¦Û¡u¯u²z¦í©ó¨¥»y¤§¤¤¡vªº«H©À¡C»y¨¥¾Ç®a¬Û«H¡A ³z¹L¦r·½¾Ç¡]etymology¡^ªº¤ÀªR¡A¯u²z²×¥iÀò±o¡C»y¨¥¾Ç¬Û«H¡A¤@¥¹ ª©¥»°É©w¡A¦r¸q¸Ñ©ú¡A¤å¥»¤¤ªº¯u²z¦Û ­¶14 µMÅã²{¥X¨Ó¡CGomez«ü¥X¡A³oºØÆ[ÂI¨ä¹ê¬O¡u°ò·þ·s±Ð¸g¨å¤¤¤ß¯«¾Ç ªº«¬¦¡¡A´Þ¥Á¥D¸qªÌªº¤å¤ÆÀu¶V·P¡A¥H¤Î²z© ªº»~¥Î¡v©Ò¦X¦¨ªº°ò¥» ±Ð¸q½×¡]fundamentalism¡^¡A¬Û«H¥u¦³¡u­ì©l¡v¤å¥»¤~¬O³Ì¬°Åv«Â¡A ¤~¬O¥»¸q©Ò¦b¡C¡]Gomez, 1995: 193-194¡^ ¡@¡@²{¥Nªü¬s¹F¿i¦¡ªº¬ã¨s¡A·½©óRosenberg¡BVassiliev»P Stcherbatsky¡A ±N¦ò¾Ç±q¨ãÅ骺¤å¤Æ±¡¹Ò¤¤©âÂ÷¥X¨Ó¡A«Øºc¦¨¬°¤@« ³¬¨t²Î¡C¶Ç²Î¦ò ¾Çªº±Ð¸q¬ã¨s³q±`¶È¬O­z¦Ó¤£§@¡A¾ÇªÌ¤]¶È¬O¼Ð¥»ªº·j¶°ªÌ¡CµM¦Ó¡A Gomez «ü¥X¡A³Ð³y© ªº±Ð¸q¬ã¨s¡A¦p Paul Griffiths¡A¨¦¾Ë¬L¡A»PªQ ¥»¥v®Ô¡A§Q¥Îªü¬s¹F¿i§÷®Æ¨Ó¶i¦æÄY®æªº­õ¾Ç¤ÀªR¡A¤´¦³¨ä¤£¥i©¿µø ªº»ù­È¡C³Ì«á¡A²{¥N¾ÇªÌ¦h¥bµLªk§K©ó§P±ÐÅÞ¿è¡A¤£½×¬O¥½ªk¦¡§P±Ð ©Î¤T®É§P±Ð¡C¥i¬O¡A¡u¥¨«¬±Ô¨Æ¡v¡]grand narrative¡^¦¡ªº§P±Ð¬O§_ ·|À£§í¤F¦ò±Ð¶Ç²Îªº¡u¦h­µ¡v¡]multivocality¡^¯S© ¡HGomez ÅãµM¦³ ¨ä¼~¼{¡C¥L¤Q¤À±j½Õ¤å¥»ªº¦h­µ© ¨Ó¦Û½t°_µêªÅªº¡u§@ªÌ¡v¡B¡uŪªÌ ¡v¡A¨Ó¦Û¦ò±Ð¥»¨­¡A¤]¨Ó¦Û¨ä©Ò¶Ç¤Jªº¦è¤è¤å¤Æ¡C¥¦¬OªÀ·|ªº¡B¤å¾Ç ªº¡B»y¨¥ªº¡B¤ß²zªº²{¶H¡F¥¦¤º¦b©ó»y¨¥¤¤¡A¤º¦b©ó§^¤H¹ï¡u¥DÅé ¡v¡B¡u·N¦V© ¡v»P¡u§@ªÌ¡vªº±Ô¨Æ»P·Q¹³¤¤¡C¡]Gomez, 1995: 210¡^ ¡@¡@¥Ñ¦ò±Ð¶Ç²Îªº¦h­µ¯S©Ê¡A¦ò±Ð¾ÇªÌ¤]¦]¦ÓÀ³¸Ó§êºt¦h­«ªº¨¤¦â¡G Å@ªÌ¡]curator¡^¡B¶Ç¿ÙªÌ¡]diviner¡^¡B±Ð¤h¡]priest¡^¡A¬Æ¦Ü¬O¡u ¤Ï±Ð¤h¡v¡]anti-priest¡^¡C¡]211-212¡^³Ì­«­nªº¡A¦ò±Ð¾ÇªÌ°£¤F§U ¦¨¸Ó¾Çªùªº±`³W¤Æ¥H¥~¡AÁÙÀ³¹ï¦¹±`³W¤Æ´£¥X§å§Pªº¤Ï¬Ù¡C¥L»{¬°¡A ¦ò±Ð¾ÇªÌ¦³³d¥ôµ¹·í¥N¤å¤Æ¡u¥tÃþªºÁn­µ¡v¡A¤] 15­¶ À³¸Ó¦b¦ò±Ð¶Ç²Î¤º«O¦s¡u¥tÃþªºÁn­µ¡v¡C¡u¤F¸Ñ¨ìÁn­µªº¤O¶q¡A§Ú­Ì ¥²¶·¤p¤ß¦a¤£¥h«Ø¥ß³æ¤@ªºÁn­µ¡v¡]216¡^¡C ¡@¡@¹ïCabezon¨Ó»¡¡A¦b¥_¬ü¦a°Ï¦ò±Ð¬ã¨s¤èªkªº¦h¤¸¤Æ¤w¬O¨Æ¹ê¡A¹ï ¦ò±Ð¬ã¨s¨å½dªº§åµû¡]¤Ó¹L©ó­«µø¦L«×¦ò±Ð¤Î¨ä»y¨¥¡A©¿²¤¤F¤f¶Ç ¸ê®Æ¡B¤HÃþ¾Ç¡BªÀ·|¾Ç¡B»ö¦¡¶Ç²Î¡A¾ú¥v¤åÄm¾Ç±¾«Ó¡Kµ¥¡^¤]¤w«D·s ÂA¨Æ¡C°ÝÃD¬O¦¹ªi³Ìªñªº¤èªk½×¦h¤¸¤Æ¬O§_¶È¦p»´Á¡ªº«á²{¥N­·¼é¡A ²×Âk¾èªá¤@²{¡H¡]Cabezon, 1995: 232-235¡^Cabezon ­n§i¶D§Ú­Ìªº ¬O¡A¦ò±Ð¬ã¨sªº¥¼¨Ó¦ü¥G¤£¦A¬O¨å½d¤§¶¡ªº½ü´À¦Ó¤w¡A¦Ó±N¬O®t²§¨Ã ¦sªº±¡ªp¡C¦p¦P Gomez ©IÆ~¡u«O¦s¦h­µ¡v¡ACabezon «h¤O¥D¡u¾Ö©ê²§ Ãþ¡v¡]embracing heterogeneity¡^¡C¡]Ibid., p. 240¡^ ¡@¡@¾Ö©ê¦UºØ¤£¦Pªº¤èªk»P¶i¸ô¡A¨Ã«D·N¿×µÛ¶È¬O¤@ºØ¦h¤¸¥D¸q¦¡ªº ¥]®e»P¶}©ñ¡A¦Ó¬O¦b¤èªk½×¤W§ó¥[­n¨D¡u§å§Pªº¹ï¸Ü¡v»P¡u¹ï¸Üªº§å §P¡v¡C¤èªk½×¤Wªºª§ÅG¦¨¬°µLªk°jÁתºÄ³ÃD¡C¤èªk½×¤£³æ¬Oª¾Ãѽתº °ÝÃD¦Ó¤w¡A¥¦¯A¤Î¾Ç³NÅé¨î¡BÅv¤O¡B·NÃÑ«¬ºAµ¥¦]¯À¡A¦Ó³o¨Ç³£¦]®É ¦]¦a¦Ó¤£¦P¡C¥H¥_¬ü¦a°Ï¬°¨Ò¡A¦b¤£¦Pªº¾÷ºc¡A¨Ò¦p¬ü°ê©v±Ð¾Ç·|¡] AAR¡^©Î¨È¬w¾Ç·|¡]AAS¡^¡A©v±Ð¨t©ÎªF¨È¨t¡A¶i¦æ¦ò±Ð¬ã¨s¡A«K·|¦³ ¤£¦P¤èªkªº¦Ò¶q¡C¤Éµ¥¡B¥Xª©¡B²×¥Í¾¤]¬OÅé¨î¤W­«­nªº³W½d¦]¯À¡A ¦Ó³o¨Ç³£»PÅv¤O¡B·NÃÑ«¬ºA®§®§¬ÛÃö¡C¡]Ibid., pp. 254-255¡^ ¡@¡@·íµM¡A§ó­«­nªº¬O¨Cªù¾Ç¬ì³£¥²¶·¦Û°Ý¨ä»ù­È¦ó¦b¡H³o«K»P¸Ó¾Ç ªù©Ò³Bªºªº¤å¤Æ±¡¹Ò¦³Ãö¡C¤å¤Æ±¡¹Ò¤]¦]®É¦]¦a¦Ó¤£¦P¡A¦ò±Ð½×­z·í µM¤]´NÀ³¸ÓÀH¤§¦ÓÅÜ¡C¤èªk½×¤Wªº¡u®t²§¡v¡AµLªk 16­¶ ¥Ñ¡u¦P¤@¡v»´©ö¨ú¥N¡C ³°¡B½×­zªº¤¶¤J ¡@¡@¥H¥_¬ü¾Ç¬É¬°¥Dªº¦è¤è¦ò¾Ç¬ã¨s¦b80¦~¥N¥H«á¶}©l¥X²{¤èªk½×ªº ¤Ï¬Ù»P½×ÅG¡A¨ä¤è¦V¤j©è¬O¥Ñ¤åÄm¾Ç¥D¬y´Â¦h¤¸¤Æ¦Óµo®i¡C©Î³\¦³¤H ·|¾á¼~³oµo®i¤è¦V¬O§_·|³y¦¨¥»¥½­Ë¸m¡A­«¤èªk¶i¸ô¦Ó»´¹ê½è¤º®eªº ²LÁ¡¾Ç­·¡H¦pªG§Ú­Ì¯à°÷²Î­p©MÂkÃþ¦³Ãö¦ò¾Ç¬ã¨sªº¦¨ªG¡]±MµÛ¡B½× ¤å¡BĶª`¡Aµ¥µ¥¡^¡A¥²·|µo²{¤åÄm¾Ç¬ã¨s¤´¦û¦h¼Æ¡A¦Ó¦h¤¸½×­z¥u¬O ¬Û¹ï¦a¦¨ªø¡C­È±oÃö¤Áªº¬O¦¹½×­z¦h¤¸¤Æ¤§²{¶Hªº·N¸q¡C¦p«e©Ò­z¡A °ÝÃD¤£¦b©ó¬ã¨s¨å½dªºÂಾ¡C¦Ó¥B¡A¤èªk½×ÅG¤]¤£¶È°±¯d©ó²z½×¼h¦¸ ¡A³\¦h¦ò±Ð¬ã¨sªº·s¿³½×­z§Y¬O»P¤èªk½×¤Ï«ä¦P®É¶i¦æ¡C©³¤U§Y²¤¬° ¤¶²Ð´XºØ·s¿³ªº¦ò¾Ç½×­z¡A¦p© §O»P¤k© ¥D¸q¡A«á / ´Þ¥Á½×­z¡A¤ñ±Ð ©v±Ð­õ¾Ç¡A«D®Ñ¼g© ¤åÄm¬ã¨s¡A¦ò±Ð»P¬Fªv... µ¥¡C ¡@¡@¡E©Ê§O»P¤k© ¥D¸q¡G¦b¤k© ¥D¸q»P© §O¬ã¨s¦¨¬°¾Ç³N¥D¬y¤§«á¡A ¦ò±Ð¾Ç»â°ì¥ç¦³¨ä¤ÏÅT¡A¨ä¤¤¸û¨üÆf¥Øªº¦³Rita M. Gross ¡]1993¡^¡A Jose Ignacio Cabezon ¡]1992¡^¡AAnne Carolyn Klein ¡]1995¡^¡AMiranda Shaw ¡]1994¡^¡C ¡@¡@¡E«á/´Þ¥Á½×­z¡G°£¤F¤W­z Lopez»PFaure¤G®Ñ¥H¥~¡A¦¹»â°ì¥i¹w ¨£±N¦³«áÄòªºµo®i¡C¡]Fred R. Dallmayr³Ìªñ½s¦³Beyond Orientalism¡A±¤¥¼¨£¡^ ¡@¡@¡E¤ñ¸û©v±Ð­õ¾Ç¡G§Ú­Ì¥HFrank E. 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