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  • ²Ä 10 ´Á[2005.07 ¥Xª©]
  • ²Ä 9 ´Á[2004.07 ¥Xª©]
  • ²Ä 8 ´Á[2003.07 ¥Xª©]
  • ²Ä 7 ´Á[2002.07 ¥Xª©]
  • ²Ä 6 ´Á[2001.07 ¥Xª©]
  • ²Ä 5 ´Á[2000.07 ¥Xª©]
  • ²Ä 4 ´Á[1999.07 ¥Xª©]
  • ²Ä 3 ´Á[1998.07 ¥Xª©]
  • ²Ä 2 ´Á[1997.07 ¥Xª©]
  • ²Ä 1 ´Á[1996 ¥Xª©]


    ²Ä 10 ´Á[2005.07¥Xª©]

    ÃD¦W
    §@ªÌ
    ¤ëºÙªº¡u½t°_¡v¸q=Candrak?rti's Interpretations of Dependent-Arising
    ¼B¹Å¸Û =Liu, Jia-cheng
    ±q¡m·ì¦÷½×°O¡nªR½×¡q¯u¹ê¸q«~¡r¡uÂ÷¨¥¦Û©Ê¡vªº»y¨¥­õ¾Ç¤Î¹ï¡u»¡¤@¤Á¦³³¡¡v»y¨¥Æ[ªº§å§P=An Analysis of "nirabhil?pya-svabh?vat?" of the Tattv?rtha Chapter and its Criticisum of Sarv?sti-v?din's View of Language
    »¯ªF©ú =Chao, Tung-ming
    µL«¯¤Í´LªÌ¤Î¨ä©Ò³y¡m¹y¤JµL¤À§O­×²ß¸q¡n¬ã¨s=A Study on Master Vimalamitra and his Cig car 'jug pa rnam par mi rtog pa'i bsgom don
    ¨H½Ãºa =Shen, Wei-rong
    ²z¡B¦æ¨âºØ¦ò©Ê»¡ªkªº§Î¦¨©MºtÅÜ=The Distinction between "Buddha-nature as Principle" and "Buddha-nature as Practice": Origin and Development
    ¹ù©ú¬¡ =Liu, Ming-wood
    ­ð§º¦ò±Ð¥v¶Ç¤¤ªºÁI®v·Q¹³¡X¤ñ¸û¹¬¶Ç»P¿O¿ý¦³ÃöÁI®v¶Çªº®Ñ¼g¡X=The Conceptions of Chan Masters in the Buddhist Biographies of Tang-Song Dynasty: On the Different Writings between the Monks' Biographies and the Lamp Records Åǹm =Gong, Jun
    °Ñ³X¦W®v¡G«n§º¨Dªk¤é¹¬»P¦¿®ý¦ò±ÐÂOªL=Searching for Inspiring Masters: Japanese Pilgrims and Buddhist Monasteries in the Jiang-Zhe Region during the Southern Song Dynasty ¶À±Ò¦¿ =Huang, Chi-chiang
    ¤k©ÊÁI®vªº¹D¼v¡X¥Ñ¡u¼g¯u»P¦W¨¥¡v±´ªR¬é¶éÁI®v¤§§Î¶H¡X=The Enscribed portrait of a Female Zen Master: A Study on the Image of Qi-Yuan Zen Master through the contrast of the Portrait and Verbal Expression Ĭ¬ü¤å =Su, Mei-Wen
    »OÆWªñ¥N¡]1895-1945¡^¦ò±Ð¥v¬ã¨s¤§¦AÀË°Q ¦¿ÀéÄË =Jiang, Cian-Teng

     

    ²Ä 9 ´Á[2004.07¥Xª©]

    ÃD¦W
    §@ªÌ
    ¡mªø¦Ñ¥§ÔU¡nªº­×Ãã±Ô¨Æ¡Ð¡Ð­Ý¥H¹ï·Ó¡mªø¦ÑÔU¡n=Gender Experience and Religious Narrative: the Rhetoric of Women-hood in Therigatha
    §õ¥É¬Ã=Li, Yu-chen
    ¡u¤»¸s¤ñ¥C¡v¡B¡u¤»²³Ðl¯ì¡v»P¡u¤Q¤G²³«C¦ç¤p¹Dµ£¨à¡v¡Ð¡Ð½×¦ò¨å¤¤¡u¼Æ£»¡]¸s¡þ²³¡^£»¦W¡v¥éĶ¦¡¤Î¨ä¹ïº~»yªº¼vÅT=An Example of the Influence of Syntactic Loan in Buddhist Texts on Chinese Grammar: From Indic vagga/sangha/parisa/gana to Chinese Zhong (²³)
    ½²©_ªL=Tsai, Chi-lin
    ¥Û«Ç¡m¤ß¸g¡n­µ¼g§Û¥»®ÕÄÀªì½Z¤§¤@=An Annotation on the Chinese Transcriptions of the Heart Sutra in the Tun-huang Manuscripts
    ¸Uª÷¤t=Wan, Chin-chuan
    ´f¬x¸ÖÁIªº¡u¬K¡v·N¶H¡Ð¡Ð­Ý¬°¡u®ö¤l©M©|¡vÅG»z=The Spring Image in the Zen's Poetry of Huihong: A Defense for His Libertinism
    ¿½ÄRµØ=Hsiao, Li-hua¡Q§dÀR©y=Wu, Chin-yi
    ²¤½Í­ð§º¹¬¤Hªºªk¦W»Pªí¦r=A Brief Account to the Buddhist Names and Styles of the Monks in Tang and Song Dynasties
    ©P¸ÎîÒ=Zhou, Yu-kai
    ´¼¼zªº¤k©Ê§Î¶H¡Ð¡ÐÁIªù¿O¿ý¤¤ÁI±C»PÁI®vªº¹ï¸Ü=The Profiles of Sagacious Women: The Dialogues of Old Women and Masters in the Collections of Biographies of the Zen Masters
    ¶À·q®a=Huang, Jing-jia
    ªr¦{¤j¸t¹¬¦÷¶Ç©_·s½×¡Ð¡Ð§º¥N¦ò±Ð©~¤h»P¹¬¦÷±R«ô=Revisiting the Legend of Sengqie, the Great Sage of Sizhou: Lay Buddhists and the Cult of Sengqie during the Song Dynasty
    ¶À±Ò¦¿=Huang, Chi-chiang

    ²Ä 1 ´Á[1996¥Xª©]
    ÃD¦W
    §@ªÌ
    <<­ÑªÙ½× ¥@¶¡«~>> ©Ò°O¦³Ãö¡u½t°_¡v¤@µüªºµü¸q¹ï½× -- ¥Hº~Ķ¨â¥»ªºÄ¶¤å¤ñ¹ï»PÀË°Q¬°¤¤¤ß
    ¸Uª÷¤t
    <<¤j¯ë¯Iºn¸g>> ªº¦ò©Ê½×
    ÄÀ«í²M=ÄÀùÚ²M=Shih, Heng-Ching
    <<ºû¼¯¸×¸g>> ¤¤ª½¤ß, ²`¤ß¤Î¨ä¬ÛÃö·§©Àªº±´°Q
    ¤ý¶}©²
    ±q¡uªk©Ê§YµL©ú¡v¨ì¡u©Ê´c¡v
    ·¨´f«n=·¨´f¨k=Yang, Hui-nan
    ¦ò¯ª²Î¬ö¤¤ªº¥»¡¼[=¸ñ; ³o-¨¥+¥ç]Æ[
    ½±¸qÙy=Chiang, I-pin
    ¥_´Â¦ò±ÐªÀ°Ï¦@¦PÅ骺ªkµØ¨¶¸q²Õ´»P¬¡°Ê -- ¥HªFÃQ <§õ¤ó¦X¨¶³y¹³¸O> ¬°¨Ò
    ÃC©|¤å=Yen, Shang-wen
    ½×¸ÖÁI¥æ¯A -- ¥H­ð¸Ö¬°¦Ò¯Á­«¤ß
    ¿½ÄRµØ=Hsiao, Li-hua=Hsiao, Lee-hwa
    ¤¤°ê¦ò±Ð¬ü³N¬ã¨s¤§¦^ÅU»P¬Ù«ä
    §õ¥É¡¼[=¥É + ¥Á]=Lee, Yu-min
    Encounter with the Imagined Other: A Yogaacaara-Buddhist Critique
    ªLÂí°ê=Lin, Chen-kuo

    ²Ä 2 ´Á[1997.07¥Xª©]
    ÃD¦W
    §@ªÌ
    ´¼óª¹ï¯³Ä¶ <<ªkµØ¸g>> ªº§PÄÀ = Chih-I's Interpretation of the Ch'in Translation of the Lotus Sutra
    ·¨´f«n=·¨´f¨k=Yang, Hui-nan
    <<¤j­¼¸q³¹>> ªº¦ò©Ê»¡ = The Theory of Buddha Nature in the Ta Cheng Yi Chang
    ÄÀ«í²M=ÄÀùÚ²M=Shih, Heng-Ching
    ´¼Åkªº¡u½t°_¡v©M¡u©Ê°_¡v«ä·Q = The Ideas of "Dependent Origination" and "Nature Origination" in the Teaching of Zhiyan
    ¹ù©ú¬¡=Liu, Ming-wood
    µû <±q¡uªk©Ê§YµL©ú¡v¨ì¡u©Ê´c¡v> = A Response to "From Dharmataa Being Avidyaa to Evil by Nature"
    ³¯­^µ½=Ch'en, Ying-shan
    §f¥»¤¤»P¦ò±Ð = Lu Ban-chung and Buddhism
    ½±¸qÙy=Chiang, I-pin
    ±ß­ð¸Ö¹¬»ô¤vªº¸ÖÁI¥@¬É = The Poetic Ch'an World of the Monk-poet Ch'I-chi in Late T'ang
    ¿½ÄRµØ=Hsiao, Li-hua=Hsiao, Lee-hwa
    «á¯³¹¬»Fªº¡uªkµØ¤T¬N¡vÁIªk»PÃ÷ªF«n¥_¥Û¸]¦xªº¤C¦ò³y¹³ = Seng-tsao's "Fa-hua Samaadhi" and the Seven-Buddha Sculptures of the South and North Shih-Ku Monastery in Lung-tung
    ¿àÄPÁ|=Lai, P'eng-chiu
    ·í¥N¤¤°ê¦ò±Ð¤å¾Ç¬ã¨sªì¨Bµû¤¶ -- ¥H¥xÆW¦a°Ï¬°¥D = A Review on the Recent Studies on Chinese Buddhist Literature in Taiwan
    ¤B±Ó=Ting, Min
    ¼Ú¬ü¾Ç¬É¤¤Æ[­õ¾Ç»ÍÄÀ¥v²¤ = Maadhyamika Philosophy through Western Looking-glasses: A Review Article
    ªLÂí°ê=Lin, Chen-kuo

    ²Ä 3 ´Á[1998.07¥Xª©]
    ÃD¦W
    §@ªÌ
    ¤¤¤g¤ñ¥C¥§¶Ç©Ó»P¦èÂäñ¥C¥§¹¬¹Î¤§­««Ø = The Lineage of Chinese Bhikkhuni Order and the Restoration of Tibetan Bhikkhuni Order
    ÄÀ´f±Ó=Shih, Hui-min=Huimin, Bhikkhu
    ©w¸q¤j­¼¤Î¬ã¨s¦ò©Ê½×¤Wªº¤@¨Ç¤Ï«ä = Some Introspections on Definition of Mahaayaana and Studies of Buddha Nature
    ¥j¥¿¬ü=Ku, Cheng-mei
    ¼Ú¬ü¾Ç¬É¤j­¼¦ò±Ð°_·½¦a¤§±´°Q¤Î¨ä½×µû = Controversy over the Geographical Origins of Mahaayaana: A Criticism
    ½²Ä£©ú=Tsai, Yao-ming
    ±çªZ«Òª`¸Ñ <<¤j«~¯ë­Y¸g>> »P¡u¦ò±Ð°ê®a¡vªº«Ø¥ß = Emperor Liang Wu-ti's Commentary on the Larger Praj~naapaaramitaa Suutra and the Establishment of a 'Buddhist Nation'
    ÃC©|¤å=Yen, Shang-wen
    ±i°Ó­^ <Å@ªk½×> ¤¤ªº¾ú¥v«äºû = Historical Thought as Seen in Chang Sang-ing's "Treatise on Protecting the Dharma"
    ½±¸qÙy=Chiang, I-pin
    ¼z«äªºÁIÆ[«ä·Q»P­º·«ÄY¤T¬N = Hui-se's Meditation and the `Suu.rajgama-samaadhi
    ³¯­^µ½=Ch'en, Ying-shan
    ´¼ªÌ¤Ñ¥x±ÐÆ[¤¤¤§¤ßªº²[¸q = The Significance of Mind in Chih-I's View of Buddhist Teaching and Meditation
    ¾H§J»Ê=Deng, Keh-ming
    ¿s°òªº§P±Ð«ä·Q = The Pan-jiao Teaching of Kui-ji
    ¹ù©ú¬¡=Liu, Ming-wood
    ·í¥N¦p¨ÓÂþǪº¶}®i»P°ÝÃD = Trends and Problems in Contemporary Tathaagatagarbha Studies
    §ù¥¿¥Á=Tu, Aming
    ¨â­º¦³Ãö»OÆW¹¬¤H§Ü²Mªº¸Ö§@ = Two Poems Concerning Taiwanese Monastics' Revolt against the Chin Rule
    ·¨´f«n=·¨´f¨k=Yang, Hui-nan
    ¥|¤t»P´°·×¥Û¸]¤¤ªº¡u¤d¤â¤d²´¤j´dÅܬۡvªº¤ñ¸û¬ã¨s = Comparative Study of the 'Illustrative Paintings' of the Sahasra-bhujaaryaavalokite`svara between Sichuan and Dunhuang Caves
    ­J¤å©M=Hu, Wen-he
    The Doctrines of Perfect Teaching in Ch'eng-kuan's Introduction to His Commentary on the Hua-yen-ching
    Hamar, Imre

    ²Ä 4 ´Á[1999.07¥Xª©]
    ÃD¦W
    §@ªÌ
    <<¤j¯ë­Y¸g ²Ä¤G·|>> ªºÄY²b / ²M²b = Purification in the Pa~ncavi.m`satisaahasrikaa Praj~naapaaramitaa
    ½²Ä£©ú=Tsai, Yao-ming
    ´¼óªªº¤G¿Í«ä·Q = Zhiyi's Thought of Two Truths
    ·¨´f«n=·¨´f¨k=Yang, Hui-nan
    ²b¤g«H¥õ½×¤§¬ã¨s: ¥@¿Ë, ¾èÆ}»P¿ËÆ}¤§°j¦V«ä·Q = Study of Theory of Faith in Pure Land School: "Hueixiang" (Transference) in Vasubandhu, Tanluan and Shinran
    ¿à½å©v=Lai, Shen-Chon
    ²b¤g¨MºÃ½× -- §º¥NÀ±ªû²b¤gªº«H¥õ»PÅGij = On Solving the Doubts about the Pure Land: The Amitaabha Faith and Its Debates during the Sung Dynasty
    ¶À±Ò¦¿=Huang, Chi-chiang
    ÁI©v§Ù«ß«ä·Qªì±´ -- ¥H¡uµL¬Û§Ùªk¡v©M <<¦Ê¤V²M³W>> ¬°¤¤¤ß = A Preliminary Inquiry into the Commandments of Chan
    ¤ý¤ë²M=Wang, Yue-qing
    ¾§²z»PÁIªkªº¦X¬y -- ¥H¤j¼z©vªX«ä·Q¬°¤¤¤ßªº¦Ò¹î = Coalescence of Confucianism and Chan Buddhism -- A Case Study of Dahuei Zonggau
    ªL¸q¥¿=Lin, Yih-jing
    ¾ú¥N¦aÂÃÄb»öªR½× = Examination of Confession Liturgies of K.sitigarbha
    ¨L®S=Wang, Jiuan
    ¹D¤¸ÁI®vªº¦ò©Ê«ä·Q = Doogen's Theory of Buddha Nature
    ÄÀ«í²M=ÄÀùÚ²M=Shih, Heng-Ching
    ¥±§Qº¸¬ü³NÀ]ÂÃ¥_©P¥Û³y¥æ¸}À±°ÇµÐÂĤC´L¹³²¤¦Ò -- ¥ú­I¹¬¦÷±ù½u¨è¯Àµe¹Ï¬Û¸ÕªR¤§¤G = A Brief Study of the Northern Zhou Cross-legged Maitreya Group in the Freer Gallery -- An Analysis of the Line-carved Sa.mghaa.ti Drawing on the Back Side
    ªL«O³ó=Lin, Pao-yao
    ¸Õ½×¤j¨¬Ä_³»¤s¬h¥»´L¤Q·Ò¹Ï = The Ritual Site of Liu Benzun in Baoding Shan
    ¶ÀÀA¬Ã=Huang, Ching-chen
    °Q½×. ¤ñ¥C¥§¨ü§Ùªk»P¶Ç©Ó¤§¦Ò¹î = Discussion. An Inquiry Concerning the Lineage of Bhik.su.nii Ordination
    ÄÀ´f±Ó=Shih, Hui-min=Huimin, Bhikkhu
    ³ø¾É. º~¤å¹q¤l¤jÂøgªº»s§@½t°_»P§@·~¬yµ{ -- ¥H¡u¤¤µØ¹q¤l¦ò¨å¨ó·|¡v¬°¨Ò = Report. The Origin and Process of Constructing Chinese Buddhist Electronic Texts -- A Case Study of the CBETA
    §ù¥¿¥Á=Tu, Aming

    ²Ä 5 ´Á[2000.07¥Xª©]
    ÃD¦W
    §@ªÌ
    ¥j¶ø¸q®Ñ (Upani.sads) »Pªì´Á¦ò¾ÇÃö©ó¤Hªº¦Û§Ú (Self) ·§©À¤§¤ñ¸û»Pµû½× = Comparative and Critical Studies between the Principal Upani.sads (Up.) and Early Buddhism (Eb.) in the Self-Conception of Man
    ªL·×¬w=Lin, Huang-chou
    ¦]§÷¬I±Ð»P±Ð¾Ç¤Wªº¤H§Ú¤À»Ú -- ¥H <<½×»y>>, <<ªü§t¸g>>, ©M <<¤j¯ë­Y¸g>> ¬°®Ú¾Ú=Teaching in Accordance with the Students' Aptitudes and the Distinction between Oneself and Others according to the Analects of Confucius, the Aagamas, and the Sutras of the Perfection of Wisdom
    ½²Ä£©ú=Tsai, Yao-ming
    §@¬°«ä·Q¥vªºÁI¾Ç¼g§@ -- ¥Hº~»y»y¹ÒÁI¾Ç¬ã¨s¬°¤¤¤ßªº¤èªk½×¦Ò¹î = Chan's Writing as Intellectual History -- A Methodological Inquiry of Chan's Research around the Chinese Context
    Åǹm=Cong, Jiuann=Gong, Jun
    ¤Ñ¥x´¼ªÌªº§ÙÅé½×»P <<µÐÂħٸq­z>> = Chiyi on the Precepts (Jieh-tii) and "the Commentary on Boddhisattva Precepts"
    ³¯­^µ½=Ch'en, Ying-shan
    Changing Principle in the Samantapaasaadikaa's Commentary on the First Rule of the Defeat Peculiar to the Nuns
    Shih, Juo-hsueeh
    ±q«n¤Ñ¯Q²þ¤ý¶iÄmªº <<µØÄY¸g>> »¡°_ -- «n¤Ñ¤Î«n®üªº <<µØÄY¸g>> ¦ò¤ý¶Ç²Î»P±K±ÐÆ[­µ¦ò¤ý¶Ç²Î = The Orissa Redaction of the Gandavyuha: The Avalokite`svara and Avata.msaka Buddharaaja Traditions of South India and Southeast Asia
    ¥j¥¿¬ü=Ku, Chen-mei
    ´°·×ªì­ðªºÀ±°Ç¸gÅÜ = Mural Painting of the Maitreya Paradise at Dun-hung in Early Tang Dynasty
    §õ¥É¡¼[=¥É + ¥Á]=Lee, Yu-min
    ±i°Ó­^ <<Äò²M²D¶Ç>> »P¤å®íªkªù = Travels to Wu-tai Shan of Chang Sang-ying which Imply the Ma~nju`srii way
    ½±¸qÙy=Chiang, I-pin
    ±q¾§¦ò¥æ¯Aªº¨¤«×¬ÝÄY¦Ð <<·É®ö¸Ö¸Ü>> ªº¸Ö¾ÇÆ[©À = The Poetic Idea of Yen-yu's "Criticism of Tsang-lang on Poetry" -- From the Aspect of Confucian-Buddhist Interaction
    ¿½ÄRµØ=Hsiao, Li-hua=Hsiao, Lee-hwa
    ±q¦L¶¶ªº¤H¶¡¦ò±Ð±´°Q·s«BªÀ»P²{¥NÁIªº©v±Ðµo®i = Inquiry Concerning the Development of "New Rain" and "Zen Now" -- From Yin-shun's "Buddhism for this World"
    ·¨´f«n=·¨´f¨k=Yang, Hui-nan
    ÂöǦò±Ð¦b¥xÆWµo®iªºªì¨B¬ã¨s = The Development of Tibetan Buddhism in Taiwan
    «ÀÄR­»=Yao, Li-hsiang
    ³ø¾É. ¦ò¾Ç¼Æ¦ì¹Ï®ÑÀ]º[³Õª«À] -- ¥x¤j»P¤¤µØ¦ò¬ã©Ò¦@¦P¶}±Òªº·s¨½µ{¸O = Report. Digital Buddhist Library and Museum -- A New Milestone Established by Chung-Hwa Institute of Buddhist Studies and National Taiwan University
    §ù¥¿¥Á=Tu, Aming

    ²Ä 6 ´Á[2001.07¥Xª©]
    ÃD¦W
    §@ªÌ
    ¥j¶ø¸q®Ñ (Upani.sads) »Pªì´Á¦ò¾ÇÃö©ó¦Û§Ú¨I²_·§©À¤§¤ñ¸û»Pµû½× = Comparative and Critical Studies between the Principal Upani.sads and Early Buddhism in the Self-degradation Conception of Man
    ªL·×¬w=Lin, Huang-chou
    ²LªR¤»´Âº~Ķ¦ò¨åÔU¹|¤§¤å¾Ç¯S¦â -- ¥H¸gÂÃÔU¹|¬°¥D = A Brief Analysis of the Literary Features of Chinese-translated Chi-Songs of the Six Dynasties
    ¤ý´¸¼z=Wang, Ching-huei
    ´¼óªªº¡u¤T¿Í¡v«ä·Q¤Î¨ä©Ò¨Ì¸g½× = Chih-I's "Triple Truth" Theory and It's Background
    ·¨´f«n=·¨´f¨k=Yang, Hui-nan
    ¦NÂûP¤j­¼ <<¯Iºn¸g>> = Jizang and the Mahaayaana Mahaaparinirvaa.na-suutra
    ¹ù©ú¬¡=Liu, Ming-wood
    ´°·×¥» <<¾ú¥NªkÄ_°O ¥°§Ô¶Ç>> ¦Ò½× = Notes on the Hongren's Biography in the Li-dai Fa-bao Ji from Dunhuang
    ·¨´I¾Ç=Yang, Fu-xue
    ®á­C½×½Ø¤¤ªº¡u¤j­¼©M©|¨£¡v -- ¡u¹y¤J¡v»¡ªº¦Ò¹î = The Hva-san's View in the Debate of Sam Yas -- An Inquiry into the Doctrine of Suddenness
    ¶À±Ó¯E=Wong, Simon M.; ¼B¦t¥ú=Lau, Lawrence Y. K.
    ²®µM·N¹Ò½×ªº¤º²[»P·N¸q -- ±q°ßÃѾǪºÆ[ÂI¤ÀªR = The Content and Significance of Chiao-jan's Ambiance Theory -- An Analysis from the View of the Dharmalaksana Sect
    ´^¶®¬Â=Peng, Ya-ling
    <<¥Õ©~©ö¶°>> ¤¤ªº¥_©v¤åÄm»P¥_©vÁI®v = The Records and Masters of Northern Zen School in the Works of Pai Chue-yi
    ²©v­×=Chien, Tsung-hsiu
    ªF©Y¸Ö½×¤¤ªºÁI³ë = The Zen's Metaphor in Su Shih's Criticism on Poetry
    ¿½ÄRµØ=Hsiao, Li-hua=Hsiao, Lee-hwa
    ½×ªR¤¸¥N¦ò±Ð«×²æ¼@ -- ¥H¦ò±Ð¡u«×¡v»P¡u¸Ñ²æ¡v·§©À¬°¸àÄÀÆ[ÂI = On the Buddhist Tu-t'o Plays of the Yuean -- An Interpretation in Terms of the Buddhist Concepts of "Tu" and "Chieh-t'o"
    §õ´fºø=Li, Huei-mien
    1950 ¦~¥Nªº¤Ï¦@¤å¾Ç»P¦ò±Ð¤å¾Ç -- <<¦ò±Ð¤p»¡¶°>> ¸Ìªº¾Ôª§, ·R±¡»P¶m·T = The Anti-Communism Literature and Buddhist Literature in 1950s Taiwan -- War, Love, and Nostalgia in the Anthology of Buddhist Short Stories
    §õ¥É¬Ã=Li, Yu-chen
    ³ø¾É. ¦ò¾Ç¼Æ¦ì³Õª«À]ªº«Øºc -- ±q¤åÄm¼Æ¦ì¤Æ¸ó¦V¤åª«¼Æ¦ì¤Æªº¤@¤p¨B = Report. The Creation of Buddhist Digital Museum -- Headed for the Digitization of Buddhist Documents, Images, Geographical and Historical Records
    §ù¥¿¥Á=Tu, Aming

    ²Ä 7 ´Á[2002.07¥Xª©]
    ÃD¦W
    §@ªÌ
    <<ªü§t¸g>> ©M <<»¡µL«¯ºÙ¸g>> ªº¤£¤Gªkªùªì±´ = Towards an Understanding of the Dharma-door of Non-duality in the Aagama-suutra and the Vimalakiirti-nirde`sa-suutra
    ½²Ä£©ú=Tsai, Yao-ming
    ³¯¨ºÅÞ¿è²z½×±´ªR = An Analysis of Dignaaga's Logical Theory
    ¦ó«Ø¿³=Ho, Chien-hsing
    ¡u¶Àªù¡v©Î¡u¤£¯à¨k¡v¦b«ß¨å¤¤ªººØºØ°ÝÃD = A Study of Pa.n.daka (Homosexuality) in Vinaya-pi.taka
    ·¨´f«n=·¨´f¨k=Yang, Hui-nan
    Ãf¤s¼z»·ªºÀ±ªû½× = Huiyuan's Idea of Amita Buddha
    ³¯±ÓÄÖ=Chen, Miin-ling
    ¦A½×¿W©t¨K¤§ <µÐ´£¹F¼¯«n©v©w¬O«D½×> = A Re-examination of Du-gu Pei's Definition of the Truth
    ³¯²±´ä=Chen, Calvin
    ©v±K <­ì¤H½×> ¤T±Ð·|³q¥­Ä³ = On the Syncreticism of the Three Religions (Confucianism, Buddhism and Taoism) in Tsung-mi's Yuan Jen Lun
    ¤ý¶}©²=Wang, Kai-fuu
    ¾§¦ò·|³q¤èªk¬ãij = On the Types of Syncreticism of Confucianism and Buddhism
    ªL¸q¥¿=Lin, Yih-jing
    ªÅ¦æ¥À»PÂöǦò±Ð¤W®v¶Ç°O =.Daakiniis and Their Roles in Tibetan rNam-thar
    ¼B°û«W=Liu, Wan-li
    ¤»´Â¹¬¤Hªº¤å¾Ç¦¨´N = Literary Accomplishments of Monks in the Six Dynasties
    ®]©÷ªZ=Sun, Chang-wu
    ÃĦa·MªÌ¤j®v¤§¸Ö¾Ç·½¬y¤Î¦®­n½×¦Ò -- ¥H¡u¤¤Ã仡¡v¬°°Q½×¤¤¤ß = Sources and Major Themes of the Buddhist Master Yaodi Yuzhe's Poetic Criticism -- Centering on His Theory of "Center and Margin"
    ¹ù»F¦ë=Liao, Chao-heng
    ¥tÃþ¨å½d: ·í¥N¥xÆW¤ñ¥C¥§ªºªÀ·|¹ê½î = An Other Paradigm: The Social Practices of Buddhsit Nuns in Contemporary Taiwan
    ³¯¬üµØ=Chern, Meei-hwa
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    ¤B±Ó=Ting, Min=Ding, Miin
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